Tom Scott and Freddie Ravel sat in and blew the roof off the theater. Santa Fe was on fire! Wow. What an awesome show...
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BACK UP AT THE CRACK OF NOON,
WITH QUERVO BRAIN, LOL!
Must.have.coffee...
First, before I continue, I gotta again say a loud THANK YOU to the lighting manager (in addition to the Trop stage tech staff more broadly). When they introduced me to Robert last night, he asked me about things, and, while thanking him for all his efforts, I noted that Danny was mostly in the dark last week, and he replied, yeah, that they'd already placed and aimed more instruments, both for Danny's position on the horn riser and other areas of the stage that they themselves had identified as needing improvement.
It is indeed a New Day. Wow.
Trop LV management and staff could not be more in support of the band. Go to facebook.com/tropicanalv and let them know how much we all appreciate it.
BTW, didja see this?
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The cats opened the show with one of their venerable set list opening "chess moves." Fat City Horns flourish into "Esta Noche," followed by the slammin' Earth, Wind, & Fire Medley. In the FCH were two of our esteemed subs, Garrett Hypes on bari and Dave Stambaugh on alto.
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The set list was a nice mix of legacy stuff and cuts from the new CD: "When The Curtain Goes Up," "Greazy Thing," Indian Summer Day," "This Time," (best tempo ever on that great song of Jamie's), "I Feel Good," "Negrita," "Soul Trilogy," "We Are Nothing" ...
More shots.
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Thank you all for coming!
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TONIGHT AT THE ORLEANS
Lotta music going on this week, including Tony Davich's Phoenix returning to Mandalay Bay tomorrow and Thursday, and some of the Tower of Power cats sitting in with the Lon Bronson Band at Green Valley Ranch this Thursday. More updates shortly...
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CODA
So, who shows up at the gig last night? Cat I haven't seen in a quarter century (2nd from left, with the white hair and 'stash).
But -- not too long afterward they fired the band (all black cats, except for me and Dena), really 'cause we attracted too much of a black crowd. The management just summarily one night said "We're making a change, you and Dena are gonna work with this cat who plays the off nights, Michael John (or else)..."
Michael, an architect in the day job world, played guitar and piano and sang, did a James Taylor / Eagles / Dan Fogelberg / CSN&Y / Kenny Loggins / Michael Martin Murphy etc schtick. Cat was very, very, good, but, boy was I pissed. New in town, really needed the gig (but the racist aspect of it totally sucked). Didn't know squat about the whole country/folkie idiom, and wasn't really interested in learning it.
But, I ever-so-reluctantly agreed. We were (rather uncomfortably) introduced. A week of rehearsals, and here I go, a whole new direction.
Hit it off like magic. The vocals just seemed to fly without effort, we just zoned and jelled, phrasing and harmony-wise. We ended up working together the whole time I lived in B'ham. Wild-assed local success. We became tight friends.
Michael lives in Bend, Oregon now. We've been in touch episodically, but I'd not seen him in decades. I think he was living in Denver the last time we hooked up, back before I moved to Vegas.
Wild.
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WEDNESDAY UPDATE
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Click his name, check out his rap sheet, wow, an amazing C.V. This will be great fun.
Also, click on Dr. Lenny's name above and go check out the cool new work he's done on his own website. Yeah, bro'.
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