Friday, October 31, 2008

Halloween Weekend Update

I will definitely be there tomorrow night. My new camera will deal much better with the inadequate light. It'll be another great hang.


Club Tequila, Fiesta Rancho, 9 pm:

Tuesday, October 28, 2008

Gig at The Palms Oct 27th: Gypsy Fire returns

OK, that was a magic evening. First, Ben and Stuart of Gypsy Fire totally tore the house down, getting repeated rousing loud rounds of applause and shouting in the midst of tunes as they opened the night. I'm weeding through 124 shots I just dumped into iPhoto, so bear with me.

Succinctly: total chops and passion. Wow. Thank you, gentlemen, for sharing your art with us.


Dave Stambaugh on alto, Cirque's Derek Jones on bass, Michael Gonzales on keys and vocals (filling for Jamie).

The above two pics, shot at 1600 and 3200 ISO respectively. This new camera is killer. Derek in particular was not well lit, standing up on the riser in the back next to Joey.

Whata bench we got! Cats are all so fine. Derek and Joey Heredia sure hit it off together. They were slammin'.

Especially notable tunes were "Oh Nena," 'I Feel Good," (that one brought the house down) "You Need a Hero," "Wishing Well," and "Come With Me." Overall, the cats were loose and energetic, feeding, no doubt off the huge SRO crowd that was so way into it.

Random pics from the night:

Above: I shot this using my telephoto lense, all the way from the back of the room by the CD table.

More after I crash. I've been up for almost 22 hours. Tired. Thanks to everyone who came to hang.


The other day I saw this Bill Moyers PBS show about the totally wonderful "Playing For Change" project. Rich Such of Inside Musicast sent me the link. Below, a YouTube clip of the documentary showing some of the performers from the world over.

Below, some of the Moyers Journal PBS transcript:
...When this election is over, no matter who wins, there will be much to repair, if we have the will for it. So it seems a good moment to introduce you to someone of the next generation who hasn't given up on either our humanity or our future together.

Mark Johnson is the co-director of a remarkable documentary about the simple but transformative power of music: PLAYING FOR CHANGE: PEACE THROUGH MUSIC.

MARK JOHNSON: Well I think music is the one thing that opens the door to bringing people to a place where they are all connected. It is easy to connect to the world through music, you know. Religion, politics, a lot of those things they seem to divide everybody…

BILL MOYERS: The film brings together musicians from around the world - from blues singers in a waterlogged New Orleans, to chamber groups in Moscow and a South African choir - they celebrate songs familiar and new, to touch something common in each of us. Here is one you might recognize:

Oh yeah, my darling, stand by me
No matter how much money you got, all the friends you got,
You're gonna need somebody, to stand by you
When the night has come. And the land is dark
And that moon is the only light we'll see
No I won't be afraid, no I won't shed one tear
Just as long as you people come and stand by me
And darlin', darlin', stand by me, oh stand by me
Oh stand, stand, stand by me
Come on stand by me
When the sky that we look upon
When she tumble and fall
Oh the mountains they should crumble into the sea
I won't cry, I won't cry, no I won't shed a tear
Just as long as you stand, stand by me
So darlin', darlin', stand by me, oh stand by me
Please stand, stand by me, stand by me
Oh baby baby,
Darlin', darlin', stand by me, oh stand by me
So darlin', darlin', stand, oh stand, oh stand, stand by me,
Come on stand by me
Stand, oh won't you stand, oh stand, stand by me, stand by me,
When the night has come, and the land is dark,
And the moon is the only light we'll see,
I won't be afraid, I won't be afraid,
Not as long, not as long as you stand by me
BILL MOYERS: The filmmaker is Mark Johnson. He's a Grammy award-winning producer and engineer and a film director who has worked with some of the most renowned musicians and producers in the field.

Mark, welcome to the JOURNAL.

MARK JOHNSON: Thank you so much. It's an honor to be here.

BILL MOYERS: What in the world prompted you to do this?

MARK JOHNSON: The idea came about ten years ago, here in New York City. I was in a subway station on my way to work. You know, every day in the subway, people are just running around like crazy to get wherever they have to go.

BILL MOYERS: Oh, tell me about it.

MARK JOHNSON: But this particular day, I was in the subway and I heard these two monks playing music. And they were painted head to toe, all in white, wearing robes. And one of them was playing a nylon guitar and the other one was singing in a language that I didn't understand and I imagine most people didn't understand.

BILL MOYERS: Everybody was just standing around. I've done that. Yeah.

MARK JOHNSON: You know, there were about 200 people just stopped. Didn't get on the train and started watching this music. And I looked around and I saw people with tears in their eyes. And I saw jaw dropping. And I just saw this collection. And it occurred to me that here is a group of people that would normally run by each other. And here they are, collectively coming together. And it's the music that brought them together.

So it really inspired me. And it occurred to me that when there's no separation between music and people, when music is just happening and people can walk by and it can affect them, that this is an opportunity for us to really find a way to bring people together.

BILL MOYERS: A hundred musicians took part, right?


BILL MOYERS: Ten years, it took you.

MARK JOHNSON: Ten years it took me.

BILL MOYERS: Did you ever think of just giving up?

MARK JOHNSON: You know, I remember, as I started this project, it started to build more and more importance. And I remember at some point or another, realizing that we were going to represent the eyes on the faces of the kids on this planet.

And that that was going to be our motivation. So there was no chance we were going to stop. Because the truth is, they need us to inspire each other and to create a better world. I mean, there's so many problems now with the economy and with war and a lot of depression. But at the end of the day, there's also so much hope because I can assure you, all over the world, people are beautiful and they want to unite together.

BILL MOYERS: But there are also some very ugly situations in the world. And you went into the heart of some of them. What took you to those places to try to sprinkle this hope you talk about?

MARK JOHNSON: Well, I think that in order to really unite people, you know, we have to show that in our darkest situations and in the places with the most struggles in the world, that we can find a way of uplifting each other out of it. I remember hearing somebody that said, you know, "The last person who knew why we were fighting died a long time ago."

We all know the world is changing. And we get to decide if it's changing for the better or if it's changing for the worse.

And so with music, it opens up these doors that ordinarily wouldn't be opened.

BILL MOYERS: Why did you choose "Stand by Me"?

MARK JOHNSON: I chose "Stand by Me" - or it chose me as it may have been, because I was walking in the streets in Santa Monica, California where I live. And I heard the singer, Roger Ridley, playing the song on the street. And I was maybe a block away, and I still heard him. And I remember running back over to catch the performance.

ROGER RIDLEY: No matter who you are. No matter where you go in life. You're going to need somebody to stand by you.

MARK JOHNSON: And when the song ended, you know, I was so moved by him, his voice sort of representing everything to me that music is, with soul and perseverance and talent all wrapped into one voice. So I approached Roger and I said, "Hey, you know, if I come back with some recording equipment and some cameras, I would love to take this song around the world and add other musicians to it."

BILL MOYERS: What do you hope comes from this?

MARK JOHNSON: Well, I mean, with Playing for Change, my ultimate thing would be that people understand that in a world with all this division, it's important for us to focus on our connections.

BILL MOYERS: You are starting some schools from this, called Playing for Change, right?

MARK JOHNSON: Many years back, my brother, Greg Johnson, who's been a huge source of inspiration for me, he had given me a Christmas gift which was a photo book called "A Day in the Life of Africa." And in that book was one photograph that he had framed for me.

And the caption was something along the lines of, "One of the more dangerous townships in South Africa finds solace through backyard jazz." And I had this picture on my wall for years. And it served as a symbol for me and for the crew that I was traveling me.

And so, I did some research. And I found out that the band leader was the upright bass player named Pokei Klaas. And he is the upright bass player you see in the "Stand by Me" video with the children in front of him.


MARK JOHNSON: And so when we traveled down to Cape Town, South Africa, and we were going to eat at a restaurant, and we heard this music down the street. So the crew and I, we walked down there to hear their music. And when the band was over, we asked Joe Peterson, who was the singer in the band, "Have you ever heard of Pokei?"

And he said, "Oh, yeah, Pokei. He's my best friend. I'll take you to see Pokei." So the next day, we all got in a van and we drove out to Guguletu township. Which is passing thousands of shacks and an incredibly humbling experience. And we went out there and we show up and we meet Pokei. I remember there were a number of little homes in the backyard. And a lot of sorrow because there was a lot of HIV in the area. A lot of poverty.

So we decided, okay, we'll put on a little concert in the backyard because the people here need something to celebrate.

And I have never in my life seen something more beautiful when the people came out of their little homes and just started dancing and celebrating this music. And it was almost a form of an exorcism where all the sorrow was gone and they were now filled with all this joy and connection to us and to each other. And so we asked Pokei, as we had all the musicians along the way, you know, "Well, what can we do to give back to your community?

I mean, they let us in their homes. They fed us. They give us their music. They told us their stories in the world. And Pokei said, you know, "The kids here, they really need a music school. They need some hope. They need something that can give them some inspiration." And so just this - a couple months ago we went down there with some shovels and we built the first Playing for Change music school in that exact spot. In the backyard.

And now it's a chance for kids to get together, to have something positive to look forward to. And what we're doing with this foundation is we're going build hundreds of schools around the world. And installing them all with recording equipment and cameras. So that people can log on to the internet and they can watch recitals and concerts in the schools we're building, to kind of break down that whole distance barrier.

BILL MOYERS: Did anybody ever say to you, "Mark, don't be naïve"?

MARK JOHNSON: Oh, absolutely. Absolutely. But to me, naïve is thinking that there's any other choice. You know? The only choice we have is to come together. And to inspire each other because that's the way that we'll create a better world for us now and for the kids tomorrow.

And the other truth is, I mean, you know, a lot of people are living in a world of fear. But we don't even know how long we're going to be in this world. So there's really no reason to fear anything. The most important thing is while we're here, let's make a difference together. That's what Playing for Change is trying to represent.

BILL MOYERS: We'll link your Web site to our Web site at and people can find out more about Playing for Change. What's next for you?

MARK JOHNSON: Well, to continue to build schools around the world. The beautiful thing about Playing for Change is that it never ends. And so that we're going to continue to connect more and more musicians around the world. Build the family together. And build more schools.

BILL MOYERS: Mark Johnson, we'll close with your favorite song on the DVD, "One Love."

MARK JOHNSON: Thank you, Bill.

One Love, One Heart
Let's get together and feel all right
Let's get together and feel all right
One Love, One Heart
Let's get together and feel all right
As it was in the beginning
So shall it be in the end
Let's get together and feel all right

Let them all pass off their dirty remarks
One Love
There is one question I'd really like to ask
One Heart

Is there a place for those hopeless sinner
Who has hurt all mankind just to save his own?
Believe me

One Love, One Heart
(Foreign Language)
I see the sun
(Foreign Language)
Let's get together and feel all right
(Foreign language)

Really wonderful stuff.



OK, our sistah Jane Kinsey of the Hats show sent me this image and asked for my help sprucing it up (she's currently doing some Shakespeare). I told her it needed to go on the blog.

So, "caption contest," LOL...

Here's my entry:
  • "Our Homegirl Jane Kinsey of the Hats show, working Sunset Park to get out the early vote for Obama."
She told me she got this one:
  • "Miss Jane just landed the lead part in a Stevie Nicks' cover band"
LOL! Send me an email or just post a comment if you want in on it.

OK, a couple have trickled in:
  • "I have low blood sugar and a migraine. Now, again, what did you say was your silly-assed problem?"
  • "Looks like some of the chicks from my old neighborhood, shiv and all!"

O/T, PROUD GWANDADDY UPDATE ('cuz it's my blog...)

Keenan yesterday during his 3rd round USTA sectional tournament match. Part of the time I put my new camera in "sports shot" mode and let it just fire away on semiautomatic. Pretty cool.

I love that last shot. Evocative of a shot (below) from a campaign by The National Conference of Christians and Jews some years back. The photo caption was "Nobody's born a bigot."

Sunday, October 26, 2008

Weekend stuff

First, Friday night at VOX Lounge (S. Eastern & Horizon Ridge), Mundo's Hot Club of Las Vegas, featuring our friends from the UK, Gypsy Fire (they're gonna come in and open the show for us Monday night at The Palms, btw).


Saturday, the 2nd annual "Klip it for Kidz" cancer support fundraiser event at the Metro SW Command Center. Tyriq and his posse performed, along with Darryl Woolfolk and his "Release All Star Band." Ronnie Rose (Slick Willie Orchestra) also sang.
So did BobbyG, LOL! Sang Loggins' "Conviction of the Heart," played my 12-string.

Below James Brewster Thompson was great. Very funny stuff, bro'.

Above, Diane is new in town. Welcome, Sistah. Below, our Happy Mayor Oscar in his customary effusive form.

Below, some random Metro stuff.


Keenan played his final football game of the Henderson International School season Friday. Scored his 12th TD of the year on the 2nd play from scrimmage, an 85 yard rocket run. Nobody can stay with him once he gets loose. They won 30 - 22 in the most hard-fought battle of their season.

Hoops is next up for Keenan at Henderson International, but this morning he had his first match in a USTA sectional tournament. No rest for da Keebo. He's now playing in the 16 yr old age bracket (he's 14). The competition is ferocious.

What a delightful young man.


I copped some video shots of Keenan's 2nd match of the day, which he won in straight sets.

After that, he had an evening doubles win. Three matches in one day. He's gotta be tired. Has a next-round singles match at 9 in the morning (Gwandaddy will be schlepping him to that one).