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POST GIG REPORT
Well, it's a major improvement, though we need to work some things out with the lighting coverage. There are a lot more light fixtures to work with now, so, with a bit of help we can perhaps finally get it right. They've significantly re-designed the stage, it's back up high like it was for Zowie Bowie, and it protrudes further out. They added the welded steel rear catwalk for the Matt Goss "Dirty Virgins" dancers. It's bolted to the stage. Below, the scene before the gig. They've taken down the old neon "Lounge" sign. In its place is a white screen for projection "light show" stuff for Matt Goss.
They've also ditched that decrepit laptop that formerly controlled the light grid. There's now a large digital lighting console back by the front of house audio board. No notes or manual, so I just started poking around on it to see what I could get to happen. I got pretty bright illumination to come up OK with a good backwash, and then I hit some button that activated the chemical smoke generator. Shit! Stop, stop, stop... By the time I figured out how to shut it back down the entire stage was a huge, thick cloud, which took about 20 minutes to fully dissipate. Jeez...LOL.
Blogging incrementally here as I review my shots. It was like shooting at a new location tonight, much different photo environment. Getting a late start blogging. I will post as much as I can before I run out of steam.
Great show tonight. Highlight tunes for me were "Love Jungle" and "Pack It Up," both of which will be on the new CD. The new staging is interesting. More difficult for me to move around and get good shots (and more difficult for the Fat City Horns cats to get down front for solos), but it's a much better performance environment for the guys overall.
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